Friday

Talking to Bill Paxton on the Flipside - GAME NOT OVER MAN

NEW EDIT OF THIS FILM AT GAIA. 

"TALKING TO BILL PAXTON"

I created this film with three different mediums where we spoke directly to my old friend Bill on the flipside, and asked him about his journey.


"Game Not Over Man!"
From his role in Hatfields & McCoys
I was startled when he spoke clearly, directly and with great detail about what happened, how he crossed over, who was there to greet him when he got there. GAME NOT OVER MAN! (He didn't say that, I did - but it's funny nonetheless).




I posted the film at Gaia.com - but due to a mixing glitch, there was a music track that drowned out the dialog, generally made it impossible to hear.

I took out the music and remixed it so that audiences aren't distracted by the filmmaking, but can listen to the content.

It's a bit like capturing lightning in a bottle.  With Jennifer Shaffer, we get together weekly to discuss things with the flipside, and I record those conversations to transcribe them and put them in books ("Backstage Pass to the Flipside: Talking to the Afterlife with Jennifer Shaffer").  

In our discussions with Bill Paxton, he said that I should put the footage together into documentary form.  I happened to be interviewing another medium Kimberly Babcock, and during the course of our interview, his name popped into my mind, and I asked "What about my friend Bill?"

I had no intention of filming her talking to Bill - but I did have the camera on in a noisy restaurant.  

If I recreated that event - or even tried to - it would not be the same.  However, the third medium, Raylene Nunes I had interviewed for a chapter in an upcoming book about her journey to becoming a medium. So we met, but she knew nothing about Bill or my relationship with him when she did this interview with Dr. Medhus.

For those not aware, Dr. Medhus' son killed himself, then called her on her cellphone to say he was okay.  She was a skeptic - couldn't believe it - until a medium (Jamie Butler) called her to say "Your son is in my living room and won't leave until I call you." That started a long conversation of interviews between mother and son.  The interviews are all available for free on her site.




Raylene worked with Dr. Elise Medhus on her ChannelingErik.com site - and Dr. Medhus suggested I interview her. Her own personal story is amazing. But when Dr. Medhus reached out a year later and said "Is there anyone you'd like me to speak with?" I suggested Billy.  I supplied the questions, but she had her own as well.  Dr. Medhus didn't know Bill or his work - nor did Raylene. But Bill answered the SAME QUESTION with the SAME ANSWERS the other two mediums recorded.

All three mediums said the same things - how he passed, who was there to greet him, how we met in a pub in London and what movie he was working on when I met him. ("Aliens")  

I've shared the extended version of these interviews (warts and all) with his wife, but have edited it down to something that is just about our relationship.  How we met, why his career took off - despite our trying to make a film together - and what his journey on the flipside is like.

We have the unique window to "hear" his voice when he's talking through this medium. He talks about Jim Cameron, talks about "Titanic" and other events in his life.  For me - and it can only be for me - it's absolute proof that life goes on. Some will be put off by the sound - my apologies - the lightning - or other things that don't fit.  But like I say - trying to catch lightning in a bottle here.


Much better filmmaker than me. Obviously. He likes to remind me.

It just demonstrates why his career rocketed and mine was another path altogether. Perhaps to make this documentary with its wacky sound of a film.

So please, I encourage ALL OF YOU to check it out at Gaia.com -
https://www.gaia.com/video/backstage-pass-flipside-talking-bill-paxton 

Here's a new trailer for the film.  
 https://youtu.be/KTIeNaHjwcc

The film is FREE if you sign up for a month and cancel - but it's worth checking into.  And I don't mind angry comments - just don't tell me the sound is too difficult to hear - 

"If you can't hear what they're saying then you're trying not to hear what they're saying."

So please ignore the comments about the "bad sound" as they PREDATE the newer version.

Personally I feel complaints about me filming a medium in a restaurant are silly - because of the artificiality we have every day when we pretend that someone wearing a uniform, or a cassock or some other prop is "better suited" to speaking from the flipside.  

None of that is needed or required. I film inside a noisy restaurant because THE FOLKS ON THE FLIPSIDE LIKE IT.

They like the smells (that we smell) the food that passes under our noses, the people chatting, the music playing.  People think that doing interviews or "seances" in a darkened room with orbs or crystals and a Theremin playing - that's fine for them - but for me, I can't be bothered with it.

They're not gone. They're just not here.

So without further ado - here's the trailer to this film, and here's the link to it on Gaia. GO AND WATCH THIS FILM. It's free and it will free you as well.










Monday

An Afterlife Interview with Christopher Columbus


An interview with the one and only, none other than, Chris.

For those who are familiar with "Backstage Pass to the Flipside: Talking to the Afterlife with Jennifer Shaffer" they will recognize this format and technique.

I'm not claiming "this is Columbus" answering these questions, but I know it's not Jennifer Shaffer the intrepid medium answering them.  They're being answered by "someone" who claims to be "Columbus."

On the way to our weekly meeting, I looked out the window of my speeding car at the passing ocean, and thought "Gee, I wonder who I should ask to come forward today?" The name "Columbus" popped into my head.  I thought "Really? That guy? Okay, why not?"  In the ever repetetive attempt to demonstrate that "anyone who has ever lived on the planet is still accessible" I asked for our folks on the flipside to "bring him forward."

What follows is his "interview."  (In the upcoming "Backstage Pass to the Flipside Three: "Class is in Session.") There are historical details about Columbus I know - and am asking pointed questions with regard to that knowledge.  Luana Anders, our friend on the flipside, assists with "giving out the backstage pass" and "putting the interviewee in the chair." (As well as helping him/her to "translate" what we want communicated.)

(Note: If someone else asked him these same questions they might get different answeers. When a child asked a parent questions, the parent tailors the answer to the child, when a close friend asks questions, they may kid around and have fun with the answer, when a complete stranger (me) asks questions, the person may reply based on what they think I'm supposed to hear, or what the medium should hear.  However, Jennifer and I have been doing this for so long, we speak in a kind of "short hand" - where I know that the answer could be misinterpreted, or that I'm asking the wrong question based on my prior knowledge of the person involved - but the reason I do this kind of interview is that the overall affect, when one looks at the dozens we've done - there are constants in the material that appear when I interview people on the flipside via other mediums, or when a person is under deep hypnosis and reporting what they recall, or lately, when a person is not under hypnosis at all.)
Image result for columbus
OSU painting
Ladies and gentlemen, I give you - the explorer known as Christopher Columbus.

(Jennifer and I are mid session. We've just spent an hour chatting with someone else who was a historic icon (which will be in the book).  At this point, feeling that I've gotten what I've asked for, I ask:)

Anyone else? Luana? I did invite somebody else.

Did you invite someone on a boat?

Go with it.

Somebody at sea, almost like a cartoon. (Jennifer aside:) Who’s the guy who took all the animals?

Noah. Does he want to come forward? It’s not who I asked for, but Luana; you’re in charge.

No, something else with the sea, this person feels like a captain of the sea. Feels like 500 years ago.

Okay, that’s accurate. I asked for him – he’s a famous guy.

Columbus?

(Ding!) Yes. I want to ask him some specific questions.

(I said his name aloud prior to arrival. Sometimes it takes her a few tries, but in this case, obviously not. We had no plan to "speak to Columbus" ever - and I had not thought about it at all prior to his name popping into my head.)

He said “He had a bad rap.”

(Note: A rather colloquial comment from someone regarding their reputation.  But Jennifer speaks aloud whatever she hears.  We also have to remember, that he’s not dead – he’s been around all this time, has heard colloquial phrases since then and would be aware of them. “Bad rap” fits.)

There was a priest who kept a diary aboard your ship.

He said “They were getting killed.”

Okay, but you killed a lot of natives for gold; is that correct?

“Yes.”

Those diaries paint you as a nasty motherf&*er.

“Yes, in the British Virgin Isles.”

Let me ask this; were you Spanish? Italian?

It feels like both.  Both Spanish and Italian. His grandmother was from... (listens.) Genoa. But his father was Spanish.

Were you a pirate? Before you went to Queen Isabella or were you just a sailor?

“I was a survivor.”

Good answer. But were you a merchant sailor from Italy?

He says “I was a pirate.” He had a different name for it.

A black marketeer? Let’s put it this way you were someone who operated outside the law – black market?

(Note: There are reports that Columbus was a black market trader (pirate) who created a different persona to gain access to funds from the Queen of Spain. Documents show that he never wrote in Italian, and had no clear family ties to Italy, outside of the claim he was from Genoa. “In Italian he is known as Cristoforo Colombo, which was long thought to be his birth name, and in Spanish as Cristóbal Colón. ... There is even a theory that he adopted the name from a pirate named Colombo.” Brittanica.com)

“He was told that he could.”

You never wrote in Italian; did you speak Italian? Did you know how?

Something he did not like about Italians; I don’t know what it is.

Are you more Spanish than Italian?

"Spanish. Close to France."

Eastern or Western side? Isabella is from the west.

He was from the east.

You were pretending to be Italian to gain favor from the Queen, but you were Spaniards?

"His crew were Spaniards."

Did you pretend to be Italian to get money from Isabella?

“Yes. He was in love with her, it was romantic.”

Were they lovers? Or was it a crush?

There’s something with that...  “Too many clothes,” he said.

(Note: That’s an odd but accurate detail.  Furtive love, or the kind where people are intimate outside of the prying eyes of courts and courtiers – required a lot of clothing in those days.  Took hours to get dressed – not easy to get undressed.  Still, an odd thing to hear.)

Where were you trying to get to?

"India."

What were you trying to get? Were you after gold? Silver?

"Silk." He showed me like drapes.

(Note: “A bolt of silk was worth its weight in gold” according to a biography of Henry Hudson, where the author pointed out “Pirates had granted Portuguese vessels safe passage, but not other Europeans. So they began to look for an alternate route to India.” Henry Hudson: New World Voyager by Henry Butts. 2009. Dundurn Publishers. Pg 20.)

When you arrived, did you think you’d arrived in India?

“It didn’t make sense; it was too short of a trip.”

(Note: Interesting observation. We tend to think of two months at sea as a long time, apparently he was assuming it would have been a lot longer.)

How was he dressed on the journey? How does he appear to you?

He was big – a foot taller than most, he was wide, no beard... (Jennifer aside:) Where’d did he come across the Indians?

I think it was Hispaniola. Though that might have been the third trip.

(Note: He landed on San Salvador first, he had four trips to the Caribbean islands, never setting foot on North America. The third was to Hispaniola.)

It’s the third one.. (trip) with the Indians. He showed me an native chief; big, tall  - “Like a foot taller and he had on that huge headdress.”

Did you kidnap him; take him back to Europe or leave him alone?

“Children. He took his children.” (Jennifer aside:) Asshole...

The report I’ve read was that your men cut off people’s hands for their gold – correct me if i’m wrong.

He’s showing me everything was peaceful until they showed up.

You tortured people to find out where they got their gold. Because no one spoke the language.

"He used kids for that."

(Note: In the People’s History of the United States, Howard Zinn published a diary of a priest aboard the ships ((Bartolome de las Casas) who reported the wholesale slaughter and torture of these natives and their enslavement. His diary doesn’t include Columbus using natives to hurt other natives; but that’s what is being said.)

When you died who was there to greet you?

“His mother.”

The Italian mom?

“Yes.”

Was she from Genoa?

“No, a city on the southeast of Genoa... Genoa.”

What do you miss about being on the planet?

“The seas.”

What do you regret about your journey here? If anything?

He says "He regrets not understanding (their) language."

Or other humans?

(Jennifer nods.) I know.

Image result for columbus
The Mural of Columbus at Notre Dame that they've voted to cover.

Have you had a lifetime since then where you suffered?

(Jennifer listens) “I was a prisoner of war.”

What century was that in?

He showed me as a Japanese prisoner of war.

In World War II? Okay, that must have been difficult. Do you think it’s appropriate they have a holiday after you? Or should it be something else?

“Indigenous people day.”

Duly noted. Well, you’re a man of compassion now; I’d think you’d want the record corrected.

“Yes.”

Luana; I said his name, and Jennifer picked him out of the blue, I was looking at the ocean as I drove to your office.

(Jennifer aside:) And I saw a pirate at first.

Well, apparently he was one. Chris, anything you want us to tell people on your behalf?

“To be free.”  He just showed me chains, then Martin Luther King. “To protect the environment and don’t do the dumb stuff like raping and pillaging.”

Okay, raping and pillaging not so good. Do you want people to know you weren’t Italian?

“It doesn’t matter.” (Jennifer aside:)  The thing is I don’t know if his dad was his dad.

Well he does now. Let’s ask him. Your father was Spanish but nobody knew it. You were raised by your Italian mother?

It was like a half split. He spent his life mostly at sea... half the time on land... the rest of the time at sea. He was like “A son of the sea.”

Okay, very good; we find out that Critoforo Columbo is actually a Columbus..

He might be French. A quarter is what it feels like.

Not Basque?

Feels like half Basque. (Jennifer aside:) What is Basque?

It’s a culture on the border between Spain and France – no longer a country, but the language and people predate Spain.

He wanted to be part of that. I got Portugal in the beginning...

Well it’s close to Portugal. Your were Basque or considered yourself Basque?

“No. I’m a Spaniard.”

Okay, he’s a Spaniard. But his father was not from Spain. Was your father French?

That’s what I’m feeling – there must be something obviously... something with that.

When he presented himself to Queen Isabella, it was as an Italian?

“He lied about that; she wouldn’t have trusted him...”

Did you seduce her to give you a ship or just flirt with her?

“She seduced him.”

So you did have sex with her?

“That’s a little personal.”

Dude, it’s only been 400 years.

(Jennifer nods). I think he did.

Chris either you did or you didn’t – it’s not something that’s an if, and, or but – did you do the nasty with Queen Isabella?

Image result for queen isabella
Unusual portrait for the era. Queen Isabella 

He says “Yes.” And then “That’s enough.”

Okay, thanks everyone, thanks class, thanks Chris and thank you Luana.

An unusual chapter, I know.  Rewriting history.  But if I may observe, at the end of this roller coaster of history, from Joan of Arc, to Michael the Archangel, to Jesus, to Christopher Columbus... the point of this chapter is not to claim “We were talking to dead celebrities!”

Although that’s inherent in the reporting of anything from someone so very famous.  It’s to demonstrate that anyone can ask questions of someone who is no longer on the planet, and get answers.  The idea is to take the answers verbatim, then compare it to history, then to go back and ask more questions.

I would also offer that what people are telling Jennifer (who is telling me, or more specifically, my camera) is based on her abilities to decipher visuals, sounds or sensations.  When I ask the correct question – she often taps her nose as if to say “You got it” or “that’s correct.”  I know Jennifer pretty well, her story, her journey, from a variety or perspectives.

She’s not a historian, doesn’t pretend to be. She offers the first and most cogent information she’s “getting” from my questions, and sometimes I ask questions I’m not aware I’m asking until I transcribe the session.  So prior to this session, I had done some research into Columbus, not specifically for this meeting, but I had read the Howard Zinn “History of the United States.”  

As noted, the information from Christopher Columbus was relative to what I had heard about him from Howard Zinn’s “History” and the priest who recounted the horrors inflicted on the natives.  However, the priest was also recalling his journey through the perspective of a man of peace, and we don’t know that much about Christopher other than what’s been written about it.

To hear that he and Isabella may have had a liasion sounds fanciful – but again, Jennifer is only reporting. It’s not her desire to create something that didn’t occur – and perhaps that’s how Chris remembered it.  If we asked Isabella, she may recall it in a completely different fashion.  People recounting their story from the flipside isn’t that different than asking people about what they did 20 years ago.  They may misremember, conflate, mix up dates and stories – but in general, from their new perspective they’ve had time to go over what happened “back then.”

Jennifer Shaffer Medium/Intuitive
It's also why I asked if he'd suffered in another lifetime as he had made people suffer - and according to this account; he claims he did. (Jennifer's not making up that she saw him as a Japanese prisoner of war.)  Jennifer and I are at a stage in our conversations that she allows a visual to come forward and reports what she sees without judging it. According to previous sessions, people on the flipside can't "lie" or "make up" stories - as they won't come through. However, any medium will admit that they may mistranslate or get a message wrong.  In this case, pretty specific answer to my pointed question.

It’s as mind bending to me typing up this chapter as it is for anyone to read it. I apologize for the bending of minds, but again, I’m just the reporter here.  Perhaps in 20 years, someone will come along with another method of accessing the holographic memories of events, or in 100 years, we’ll be able to access these events without mediums.  We’ll see, won’t we?

(Excerpt from "Backstage Pass to the Flipside: Talking to the Flipside with Jennifer Shaffer "Class is in Session" by Richard Martini. Copyright 2019 All Rights Reserved).



Sunday

Talking about 11:11 and how to cure CTE

I gave this talk at the Laguna Woods "Life After Life" group a couple of Saturdays ago.  I asked at some point "How many are familiar with my work?" and then tailored my talk to that response.

I never know what I'm going to talk about until I show up at these events.  That sounds whimsical or perhaps lazy - but I try to tailor whatever it is I'm talking about to the people in front of me.  When you hear me start to modulate my voice - SPEAKING LOUDER it's because of the folks asleep in the audience.

Doesn't change the content of what it is I'm saying.  I was surprised to click on their webpage and see that 40K folks have already watched this.

So I'm posting it again for whomever may run across this page.

The references within are to the books "Flipside" "It's a Wonderful Afterlife" "Hacking the Afterlife" and "Backstage Pass to the Flipside: Talking to the Afterlife with Jennifer Shaffer."  (see panel to the right for LINKS)

I'm citing "deep hypnosis sessions" with Scott De Tamble (lightbetweenlives.com) and interviews via medium Jennifer Shaffer (JenniferShaffer.com). 

By the way, during the talk, I mention how Dr. Eben Alexander was guided around his near death experience by his sister who "died before he was born."  I've been told since that his sister (whom he never met) died "a month before his birth family reached out to him."  

So he did not know her, could not have known her, but when he met her during his near death event, felt "as if he had known her forever." 

Also in my telling the story of how Junior Seau and Dave Duerson had shown up to greet Paul Allen on the flipside, I mention how they were trying to show Jennifer someone they wanted to applaud for his work with brain trauma; CTE. And that was Joe Namath.

Joe has reportedly cured CTE - and Jennifer and I were not aware of it - but they are aware of it on the flipside, and during the course of three interviews, kept repeating a quarterback named "Joe" that Jennifer should mention or reach out to.  I finally did some research looking up "living quarterbacks" and "CTE" (as opposed to those suspected of dying from it) and discovered this information.

That Joe Namath has shown how to cure CTE using hyperbaric oxygen treatment. (It's used for PTSD, shock and other things, but no one had done it for CTE before Joe's clinic in Jupiter Florida.)

As I recount this story, I mention how they were showing her a number of quarterbacks to try to get her to recognize a photo of Joe Namath they were "showing her."  She saw "Joe Montana" (and remarked, "I know he's still alive") and then showed her a photo of Fran Tarkenton (who also is still alive.)  I looked up Fran's name with reference to CTE and he has spoken out forcefully about his opinions on the topic, but is NOT suffering from it. So apologies to Fran's family and friends for making that comment - it was in error.

But this is an unusual talk - and I only know that because I watched it again.  As you can imagine, when you don't plan what you're going to say until you arrive at the venue, you tend to forget whatever it was that you were going to talk about.





Finally - some folks point out that I mention that I was going to talk about a "technique for connecting with loved ones on the flipside."  I didn't mean to leave that out - it's simply that I was going to say this; it came during a session with Jennifer Shaffer as reported in "Backstage Pass."  

Someone on the flipside told us 1. say the name of your loved one. 2. ask them questions. 3. when you hear a reply before you can ask the question you'll know you've made a connect.

Simple. That's it.  I heard from a guy last week, scientist in England who did that - he pictured his mother in front of him, imagined she was holding his hand. He waited about ten minutes and then asked "who was there to greet you when you crossed over?" and heard a name" 

"Hugh Nessel."  

He had no idea who that might be, so he wrote his sister, the keeper of family stories, and she wrote him back and said "That was her grandfather, you're great grandfather, why?"

As the scientist wrote me - "this technique has shaken me to my core."  It was new information - he didn't know it, but someone long gone, no longer on the planet, reported that simple detail and he discovered who that was.

In the longer version of this, I tell people to 
1. Say the name of the loved one aloud. 
2. take out a photograph and focus on when it was taken, what it felt like, who was there, the sound of their voice. (accessing a packet of time). 
3. Ask simple yes or no questions at first - how are you, are you here, etc until you begin to "hear" or see a "nod," "Shake of the head" or a shrug. (Or no answer).  Keep going until you get a reply. 

Then ask more complicate questions but ones only they know the answer to "Who was there to greet you?" "What do you miss about being on the planet if anything?" "Who are you hanging out with?" "What do you want to tell your friends or relatives?"  

"When you hear (or see/sense) an answer before you can form the question you'll know you've made a connection." Got it?

My two cents.





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